In this series Josefina Robirosa emphasized the optical art that she has been working on since the mid-1960s. The constant and unifying element of that period were the linear geometric bands of colors, with variations of thickness and tonalities, which design multiple types of bodies and landscapes. Her language fluctuates between abstraction and figuration. Part of this series would then be overturned into his precious tapestries.
"I paint".
For years, since I was a girl, since I was different from how I am now, for as long as I have been constructing this that I am, this that I paint.
To me, this painting I draw out of my house, my atelier, this painting I hang in front of people, is not my clothes
Not even my skin or my head.
My painting is me and this sounds so simple that I don’t know if I should say it.
But I must say it so that it is understood why I cannot talk about my painting.
It would be like standing in front of people to talk about myself and that task would take me another 34 years with their days and nights and one never quite knows some days and let us not speak of dreams.
Also, it would be another trade.
Also, there is modesty.
Also, my painting hangs from walls, from ceilings.
When one is confident, modesty fades.
My name is Josefina Robirosa. I am Josefina Robirosa.
My painting is called like me.
I am that painting and God help me."
Josefina Robirosa