Departamento 112

Sara Escalante

Bio

Sara Escalante (Buenos Aires, Argentina, 2001).
The main theme of her work is the object abstracted from its context. She explores the capacity of fragmentation as a counter-narrative. Her work raises questions about a current situation, whether personal or societal. She offers observations on what is imposed, stimulation, alignment, and consumption, while avoiding over-information.º

Statement

Sara Escalante (Buenos Aires, Argentina, 2001).
The main theme of her work is the object abstracted from its context. She explores the capacity of fragmentation as a counter-narrative. Her work raises questions about a current situation, whether personal or societal. She offers observations on what is imposed, stimulation, alignment, and consumption, while avoiding over-information.

Sara Escalante
Title: Carne de cañón
Medium: fotografia digital toma directa
Year: 2024
Dimensions: 30 x 40 cm
Edition: 1/3

Additional information

papel epson enhaced mate 200 gsm

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Wall reference
2.5 x 4m / 98.4 x 157 in

Other works of Departamento 112

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Other galleries

The White Lodge
Galería Petrus
Salar Galería de Arte
Consulado General de España en Miami
El Museo
KUBIKGALLERY
Carne de cañón