Marina Nuñez

With her recent plastic work, Marina Núñez (Palencia, 1966) invites us to reflect on how the increasingly common interferences between the human and the technological affect our subjectivity and our lives. A constant in his work has always been the representation of aberrant, different beings, those that exist outside or against the canon. The anomalous bodies that populate his paintings, infographics or videos speak to us of a metamorphic, hybrid, multiple identity. It recreates a destabilized and impure subjectivity for which otherness is not something foreign, but rather basically constitutes the human being.
Thus, his hysterical women, jellyfish, mummies, monsters or cyborgs, despite belonging to the territory of the excluded, do not seem distant to us but rather affect and identify us. And their images are perceived as slightly deformed mirrors that suggest that madness or monstrosity is simply a matter of degree.