RADAR

The 2024 Pinta Miami RADAR section brings together six distinct artistic practices that engage with diverse forms of contemporary abstraction. By employing a wide range of innovative approaches and materials, the artists take up explorations of geometry, time, and reality that span both physical and digital realms.

Beto De Volder (Durban Segnini Gallery) focuses on dynamic, elliptical lines, creating an ongoing exchange between order and movement. Martín Pelenur (Galería del Paseo) similarly examines geometric forms with a focus on the rhythmic interactions found within his “Soft Grids” series. Sérgio Fernandes’ (Kubikgallery) color field paintings evoke existential questions about time and memory, offering a contemplative approach to abstraction. In his bold and gestural works, Pedro Vaz (Kubikgallery) draws directly from the natural landscapes he traverses to comment on the relationship between humans and the environment. Trinidad Metz Brea (Valerie’s Factory) merges ecology with new technologies, generating hybrid forms that blur the boundaries between human and non-human entities, while Frenetik Void (Valerie’s Factory), through digital art, delves into the creation of virtual worlds and the transformation of reality using technological tools. 

Across these artists, there is a shared interest in expanding the possibilities of abstraction that invites viewers into discursive and often speculative aesthetic experiences.

Durban Segnini Gallery (Miami, United States)
Beto de Volder (Argentina)

Galería del Paseo (Punta del Este, Uruguay | Lima, Peru)
Artist: Martín Pelenur (Argentina)

Kubik Gallery (Lisbon, Portugal | Porto, São Paulo, Brazil)
Sérgio Fernandes (Portugal) and Pedro Vaz (Mozambique)

Valerie's Factory (Buenos Aires, Argentina)
Frenetik Void (Argentina) and Trinidad Metz Brea (Argentina)