ESPACIO MÍNIMO

Pablo Helguera

Bio

PABLO HELGUERA (Mexico City, 1971), cultural pedagogue and writer who lives and works in New York. He has presented his work in multiple museums and international biennials in Latin America, Europe and Asia, including Manifesta, the Liverpool, Havana and Performa biennials. In Mexico he has shown his work in the Palacio de Bellas Artes, Museum of Modern Art and Museo Jumex, as well as in the Enrique Guerrero gallery, in Mexico City, and in Spain at the Juan March Foundation (Palma de Mallorca and Museum of abstract art in Cuenca) among many others. In 2009 he presented an individual performance at the Reina Sofía Museum in Madrid (performance Revólver, 2009). In 2023 he exhibited his work at the Baltimore Museum of Art, Kiosk in the city of Ghent, Belgium, and PROA 21 in Buenos Aires, among others.
The project The Pan-American School of Disquiet (2003-2006) is considered a pioneer in the field of social interaction art. He has been awarded several international art fellowships and awards, such as the John Simon Guggenheim Fellowship and the Creative Capital Grant, as well as the first participatory art prize of the Emilia Romagna (Bologna) region in Italy. Since 1991 he has worked in different contemporary art museums, such as the Guggenheim Museum in New York or the MoMA. He is currently a professor at the College of the Performing Arts at the New School in New York. In 2010 he was elected pedagogical curator of the 8th Mercosur Biennial, held in 2011 in Porto Alegre (Brazil).

Statement

His work focuses on themes that range between history, pedagogy, sociolinguistics, ethnography, memory and the absurd, which he deals with through varied formats such as reading, exhibition strategies in museums, musical performances and written fiction.

Pablo Helguera
Title: Patriotic sounds
Medium: Escultura movil. Madera, impresión, acrílico y latón
Year: 2023
Dimensions: 50 x 40 x 25 cm
Edition: Edición 3/3

Additional information

Serie Tornasoles. Esculturas kinéticas inspiradas formalmente en el ingente corpus de collages del artista y que a su vez nos remiten a los Bichos de Lygia Clark cuestionando la institucionalidad del arte y sus sistemas de recepción.

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Patriotic sounds