Among what the work exposes, there are three important points that have been developed in the process: impossibility, time and death. The first is embodied in the constant denial of function and the highlighting of the impossible, narrating tensions and exalting oppositions. The other two, in the use of the object found in disuse or oblivion. The found object was dead in life and is now highlighted and implemented in a sculptural and conceptual process. The work expresses in various ways and by different means a longing for the time that has already passed, such as the function that no longer exists or the scar that the past has left on the material.
More than abandoned, the objects bear the scars of human violence, the blows of the weather and the nature of the material. They seem determined to stop being themselves with a certain function, and become the friction of time and oblivion.