The proposal aims to stage, through the installation with ceramics, decorated tiles and expanded drawings, a living document that presents the conflicts and dislocated perceptions of the artist Marco Pardo in the face of an actuality that already seems to repeat itself as such to the point of making everything else disappear.
Faced with a current time of imposed conditions, the reconfiguration of the social and its different levels of relationship with the outside pushes to dislocate those of the inside. The disappearance of the face until only the eyes remain without a possible look; the different ruptures of the gesture, hugs and absent kisses, the only weight of a hand on the shoulder; the behaviors that are triggered by sympathy that border on the absurd; the references recover their value in front of a world of the same, a non-place home where only one recognizes and a time that is more than ever repetition.