Dino Bruzzone

Bio

Dino Bruzzone 1995 graduated as an architect from the University of Buenos Aires.
He studies scenography and color theory with Gastón Breyer, visual arts with Juan
Doffo and photography at the Escuela Argentina de Photography.
He questions the very foundations of photographic representation playing with the
ambiguity between fiction and reality. He participates in the Improvement
Scholarship program for artists led by Guillermo Kuitca from 1994 to 1995 and from
1997 to 1999. With the Braque Prize Scholarship he studied at the Cité
Internacionale des Arts in Paris in 1996 and 1997.
In 1999 he was invited for the Argentine shipment to the Venice Biennale and in
2000 to the São Paulo Biennial, Brazil.
In addition to the Braque Prize (1995), he won the Leonardo Prize for Photography
(1998), the subsidy for the creation of the Antorchas Foundation (1998), the Young
Artist Prize awarded by the Argentine Association of Art Critics and the Civitella
scholarship Rainieri Center of Peruggia (2001).
His works are part of private and public collections such as the Castagnino
Museum in Rosario, the Museum of Contemporary Art in Santiago de Chile, the
Museum of Modern Art in Buenos Aires and the National Museum of Fine Arts.
Distinctions: 2013 / first Petrobras photography award. ”2002 / Konex award, mixed
media category. Braque Prize (1997) (Grant grant to study one year in Paris).
Scholarship Program for Young Artists Guillermo Kuitca (1994-95, 1997-99).
1999 / Young Artist of the Year, Argentine Association of Art Critics. 1998 / Annual
Creation Subsidy, Fundación Antorchas. Buenos Aires. / Leonardo Prize, in the
Photography category. National Museum of Fine Arts, Buenos Aires.
Colections:
MALBA, Museo de Arte Latinoamericano, Buenos Aires. Museo Castagnino, Rosario.
Museo de Arte Contemporáneo, Santiago de Chile. Museo de Arte Moderno de la Ciudad de
Buenos Aires. Museo Nacional de Bellas Artes, Buenos Aires. Allied London Properties,.
Colección Yankelewicz Buenos Aires Colección César Gaviria, Colombia CAB, Burgos,
España, Colección Fotomuseo. Bogotá, Colombia. Alejandro Zaia Madrid / Londres.
Arte Al Limite Chile. Alfredo Hertzog San Pablo Valerie Jungels winkler Londres Juan
Musciolo Buenos Aires Eduardo Mallea Bruchou, Fernández Madero & Lombardi, Buenos
Aires UBS Collection Alain Bouvrot Suiza David Telepak Londres Jean Pierre Murray Beverlly
Hills – Ny Regina Del Carril Buenos Aires Juan Miguel Raffo Lima
Diego Gamero Lima Jorge Anzorreguy Buenos Aires Javier Gonzales Lagunas Barcelona
Elena Kadcova Rusia Sandra Borges Portugal - Jon Giraldo España

Statement

Dino Bruzzone's work is a profound and wonderful
investigation of Desire.
Architect of a system of representation Dino Bruzzone
throughout his work reflects on representation and
perception, photography, models, peepshows,
installations and today through painting in all its splendor
he invites us to see and imagine.
The sensuality of beauty is structural , in a conceptual
appropriation it takes a fetish comic like Archie , an
American comic from 1942 that marked the erotic fantasy
of an entire generation .
A triangle of desire of the protagonists generated in the
plot between Archie, Veronica and Betty opens a series
of exquisite paintings.
Dino Bruzzone, in an elegant and intellectual way, paints
with the best pantone colors in each series, and creates a
form of optical phenomenon where the point (today the
pixel) amplifies the effect of what we see.
He, they, he with her, he with them, he in the sun, they in
the sun, humor, romance, idealized love crushes,
seduction, vertigo, adrenaline, fascination, all those
beauties sensations in a sophisticated form of
contemporary painting, today in the era of apps and new
sexual codes.
Fabiana Barrada