Visual artist, curator, manager, cultural entrepreneur, activist and mother.
Dulce Pinzón is particularly interested in issues of social justice and activations that generate positive repercussions at the collective conscious level and legislation. She has worked on campaigns for the struggle for labor rights in NY together with former Attorney General Elliot Spitzer and from the United Nations in the creation of cultural products for the development and democratization of Spanish speaking countries. Currently her main interest focuses on cultural, environmental and gender issues through her personal, curatorial and museographic projects.
Her work as a visual artist has been exhibited, published, collected and awarded internationally. Dulce was a member of the National System of Art Creators of FONCA from 2014 to 2017, tutor of Young Creators and jury in multiple art contests globally; In 2019, the ArtBase Platform opens, a physical gallery and cultural management space in the city of Puebla whose objective is to link national and international emerging artists with institutions and art enthusiasts, accompanying the creator in their artistic production and developing strategies for dissemination, promotion, sale and advice to collectors.
After September 11, the notion of the “hero” began to rear its head in the public consciousness more and more frequently. The notion served a necessity in a time of national and global crisis to acknowledge those who showed extraordinary courage or determination in the face of danger, sometimes even sacrificing their lives in an attempt to save others. However, in the whirlwind of journalism surrounding these deservedly front-page disasters and emergencies, it is easy to take for granted the heroes who sacrifice immeasurable life and labor in their day to day lives for the good of others, but do so in a somewhat less spectacular setting.
The Mexican immigrant worker in New York is a perfect example of the hero who has gone unnoticed. It is common for a Mexican worker in New York to work extraordinary hours in extreme conditions for very low wages which are saved at great cost and sacrifice and sent to families and communities in Mexico who rely on them to survive.
The Mexican economy has quietly become dependent on the money sent from workers in the US. Conversely, the US economy has quietly become dependent on the labor of Mexican immigrants. Along with the depth of their sacrifice, it is the quietness of this dependence which makes Mexican immigrant workers a subject of interest.
The principal objective of this series is to pay homage to these brave and determined men and women that somehow manage, without the help of any supernatural power, to withstand extreme conditions of labor in order to help their families and communities survive and prosper.
This project consists of 20 color photographs of Mexican and Latino immigrants dressed in the costumes of popular American and Mexican superheroes. Each photo pictures the worker/superhero in their work environment, and is accompanied by a short text including the worker’s name, their hometown, the number of years they have been working in New York, and the amount of money they send to their families each week.
2.5 x 4m / 98.4 x 157 in